One of the biggest challenges I see these days are new photographers who have no idea how to use f-stops. In fact; so many of them don’t have a clue about exposure. They seem to think that you underexpose your images and then fix it later in photo manipulation software.
While that is one way of doing it; it certainly isn’t necessarily the best or even right way of doing it. Hopefully I will help cut through the confusion in this post. Here is how to know what F-Stop to use to get the proper exposures.
Photography deals with capturing light in a way that appeals to your artistic sensibilities, whether you prefer perfectly-lit, tack-sharp portraits worthy of presidential candidates or blurrier, artistic renderings of NASCAR competitors roaring by at 180 mph (290 kph).
To consistently create the kinds of pictures that will make your creative spirit soar, you need a firm grasp of common camera settings such as shutter speed, ISO setting and f-stop (or focal stop).
F-stops in particular have a tremendous effect on image characteristics, some of which may not be obvious to amateur shooters. For the bulk of this article, we’ll discuss and improve your grasp of the mysterious f-stop.
When you want to take sharply focused pictures, your camera needs as much light as possible. So, in dimly lit areas, it’s best to choose a low f-stop number, opening the aperture to its biggest size.
You can use your camera’s manual (M) or aperture priority (Av, or aperture value) mode to take full control of your camera’s aperture. In addition to controlling how much light enters the camera, changing the size of the aperture also changes image depth.
As you tweak your camera’s aperture, you’re altering the lens’ depth of field. Depth of field is another photography concept that’s easy to cloud with complicated mathematics and esoteric language, but, basically, it refers to how much of a scene is in focus.
When subjects both near and far are relatively crisp and sharp, many photographers say a scene has deep depth of field. Shallow depth of field indicates that only part of a scene is in sharp focus.
Shallow depth of field is a powerful tool for making great pictures by drawing attention to specific aspects of a picture. For example, if you compose a portrait in which the subject’s eyes are the only facial feature in focus, you’re isolating the eyes and making them stand out in an arresting way that your viewers can’t miss.
Lenses capable of very wide apertures, such as f/1.2 or f1/4, are best for creating extremely shallow depth of field. To accentuate this effect, it helps to be close to your subject.
The reverse is true if you want deep depth of field. Many landscape photographers use high f-stops in the range of f/16 or f/22, which helps keep objects in both the foreground and background in focus.
It’s worth noting that the image quality of many lenses tends to deteriorate as you approach the extreme ends of the f-stop range. This is especially true of zoom lenses because they’re so complex.
The fastest way to understand how to make f-stops work for you is to experiment. Pick one subject and shoot it using different f-stop settings.
Review the images to see how sharpness and brightness change from image to image. Regardless of the kinds of subjects you choose to photograph, understanding f-stops, aperture and depth of field can help you make a mundane scene totally marvelous.
