I’d seen images of people using the Spider Pro holster and I couldn’t help but wonder how they were willing to do that. When the opportunity came up to try one I jumped at it. So should you!
I have always of course had a variety of camera straps on my cameras. Neck straps; and just hand straps and they were great.
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I’m sure this post is likely to piss off a few people, but it needs to be said. Or at least I think it does. I’m seeing a lot of people posting about how they’re reading this photography book, or watching that photography video etc. etc. etc.
Then they want to know how to book weddings and magazines and ad campaigns with all of like two months to a year shooting.
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Want to see what kind of work goes into turning a masterful photograph into an iconic print? Pablo Inirio, the master darkroom printer who works at Magnum Photos‘ New York headquarters, has personally worked on some of the cooperative’s best-known images.
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I was digging through some boxes recently and came across a box of my old camera gear, and lo and behold I came across the very first cameras I have ever owned. And even my Canon T50 35mm SLR.
The funny thing about it is that the camera still works, even after all these years.
I purchased my Canon T50 from the Fingerhut catalog back in 1983 as I had saved up all the money I could. Fingerhut allowed you to receive products on credit or sorts, and so I had monthly payments. So to my mother’s chagrin I ordered my first photography kit.
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Just when you get to thinking that the world of photography just won’t get any better or cooler, DJI and Hasselblad drop a huge awesome bomb.
DJI, the world’s leader in civilian drones and aerial imaging technology, and Hasselblad, the leader in high-quality professional medium format cameras, Tuesday marked the start of the next era of aerial photography by introducing the first 100-megapixel integrated drone imaging platform.
Read MoreI recently got to go up to Southern California’s Mountain High Ski Resort to shoot for Luxury Standard Magazine. This was both fun and challenging to say the least. Snow is not ever going to be an easy element to shoot in. After all; you’re talking about a huge reflective potentially blinding surface area.
Your camera is going to want to turn all of that white ground cover, into gray if you don’t expose properly.
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