I had the opportunity to work with McKenzie Lynn in my studio recently. For those who know anything about me; you know just how much I dislike; no; hate shooting in studio. Especially my own.
For me; the toughest thing about shooting in studio is when I don’t have a lot of props or a fully built set.
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I was rather thrilled when the opportunity to shoot with actress and model Jennifer Korbin for High Speed Magazine came up.
Not only is she absolutely gorgeous but she’s also a sweetheart.
And when we shot she had just started shooting the second season of her Cinemax original series Lingerie!
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A while back I had put together a large shoot for High Speed Magazine, and Ashley Dani came out to shoot with us. She was featured in the December 2012 digital issue of the magazine.
This was a particularly fun shoot, as Ashley had quite the sassy attitude which made her fun. Unknown to us was that she was also best friends with Shotgun Diva Pamela Jean Noble. Talk about a small world.
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As some of you may be aware there is this holiday called Christmas on it’s way, and I promise that I’ve been a very good boy this year.
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Transparent waterproof housing that’s travel-friendly, modular, affordable, and maintains access to all your camera and len’s controls.
GoPro’s and smartphone cameras are great, but they can only do so much compared to professional cameras. We wanted an affordable, lightweight, travel friendly solution that could turn any digital camera into a go-anywhere, do-anything beast.
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One of the biggest challenges I see these days are new photographers who have no idea how to use f-stops. In fact; so many of them don’t have a clue about exposure. They seem to think that you underexpose your images and then fix it later in photo manipulation software.
While that is one way of doing it; it certainly isn’t necessarily the best or even right way of doing it. Hopefully I will help cut through the confusion in this post. Here is how to know what F-Stop to use to get the proper exposures.
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